Designed, edited and operated in Germany, HIGHRESAUDIO is the first commercial music download service for audiophiles worldwide offering only high-resolution 24-bit albums and songs at sampling rates from 88.2kHz up to 384kHz. HIGHRESAUDIO brings online music distribution to the next level – far beyond from existing heavily compressed audio download services; to include extensive editorial data, detailed album description, biographies, reviews and artist related content.

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  Article from HIGHRESAUDIO MAGAZINE:   "Surround Sound is a sculpture, where stereo can be described as a flat canvas." Morten Lindberg...

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Audirvana Plus is a high‐end audiophile player for the Mac platform. It supports most popular audio formats, including FLAC, DST & SACD ISO, Monkey Audio APE, AIFF, WAVE, WAVPACK, Cue Sheets and Apple Lossless. Audirvana can be used for two channel and multichannel applications.

Follow this step-by step guide to configure Audirvana Plus for use with exaSound DACs.

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The purity of presentation through the exaSound e20 Mk II DAC was astonishing. DSD files which I had heard before as aggressive and somewhat bright through my Oppo105 player now sounded full, natural with inner details and smooth texture. The imaging was wider, with more space between instruments. Yet music just did not seem to appear from speakers as most often happens when the sound stage widens.

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I just finished comparing both of these units (Benchmark DAC2 and exaSound e20), along with the Mytek 192DSD, on a 30-day home trial. I kept the Exasound.

The Benchmark was solid, but, to my ears, the Exasound was better in most every way: more dynamic, more liquid and more detailed.

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My first opportunity to hear the exaSound e20 DSD/DXD/PCM DAC ($2500) did not disappoint. The company that self-effacingly identifies itself as "exaSound," with a small "e," played along with surprisingly extended Janszen 2A2.1 electrostatic loudspeakers ($7495/pair),, which are reputedly flat to 40Hz, and the Bryston Power Pac 250 amp ($2350) to deliver a beautiful smooth, wide soundstage on a DSD recording from Channel Classics.

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I have a system built around a pair of Spendor S100 speakers and a Jolida integrated >100W tube amp, and I must say that I could not discern any significant difference or improvement in sound between the Chordette QuteHD DSD DAC (that I have also been auditioning) and the entry-level FIIO E17 unit (using the Wolfson 8740 DAC). I was therefore skeptical that I would hear much or any difference in the sound between the e20 and the other DACs That said, I am happy to report that I do indeed consider that the e20 has improved my listening enjoyment in the form of greater perceived greater clarity. It as though a film has been removed from the sound.

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