Friday, November 22, 2019

Guides, Testimonials, News


The exaSound E20 is their flagship stereo DAC. It sells direct from their website for $2500 and is available as a free 30 day trial. First of all, no words can truly explain how good the E20 + Linkwitz Orion actually sounds. My system consists of the Orion 3.5 + Weight and Balance Mod (DIY Sonic Equivalent to the Orion 4.1). A Windows7 PC runs foobar2000 and JRiver Media Center controlled by JRemote on a retina ipad.

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Posted in: News, Reviews, e20 DAC
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For more than a year I have utilized the ‘exaDevices exaU2I Asynchronous USB to I2S Interface’ with my stock built Buffalo II/Legato3 combo (Twisted Pear Audio). The exaU2I allowed me to enjoy I2S PCM up to 384kHz or to be wired separately for DSD.DFF file playback up to 5.6MHz (with the included proprietary software). The exaU2I provided a more dependable and stable performance when mated to my BII DAC.

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Setting up Foobar2000 for ASIO DSD / DXD  Playback with exaSound DACs is straightforward. Experienced users probably won't need all the details below. We've included detailed step by step screenshots in case you experience difficulties.

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Posted in: Guides, e20 DAC
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I had an e18 and decided to evaluate the E20 with my Orions to see if there would be much difference. I was honestly expecting little to no difference but holy mother of god.

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I'm using the exaSound e18 DAC as the centre piece of a digital cross-over. The system has a Windows 7 / J. River source with the native “convolution” function used to create sub, bass and mid-high in the digital domain which then sent to the e18 via USB. All the cross-overs have been designed in Acourate and volume control is done within e18. The speakers are Unity Horns with 15” pro-audio mid-/bass bins and a pair of stereo woofers.

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Toronto-based exaSound Audio Design is excited to introduce the new e20 DXD/DSD DAC - a stereo asynchronous USB interface supporting 384kHz/32bit PCM, and 2822.4/5644.8 MHz DSD, priced at $2,499.

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I've owned my PSB Stratus gold-i's since 1999. They have gone through various sources and amplifiers, concluding with a Lynx L22 soundcard / NAD C272 power amplifier. The L22 was used in a recording studio. I decided to sell off all my studio gear and start researching a serious Two-Channel upgrade. I've done some mixing and mastering and have always loved good music, whether a great performance, or a great technical presentation. I've also learned (the hard way) how bad mixing or mastering can ruin an otherwise good recording. This time I wanted to step back, and enjoy the benefits of everyone else's work.

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Posted in: Reviews, e18 DAC
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