Thursday, November 14, 2024

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News


 

“Congratulations to you all! Your room sounded very fine, exceptionally detailed but always musical! …and showed how fine the sound at a high–end audio show can be! I had a great time here listening to one DSD recording after another.”

 

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At the recent AXPONA show in Chicago, the exaSound room received not one, not two, but six best-of-show awards for true high end sound from The Absolute Sound's Andre Jennings, Jonathan Valin and Julie Mullins: 

 

Best Sound (for the money) — A. Jennings

Most Significant Product Introduction — A. Jennings

Most Coveted Product — A. Jennings

Best Sound (cost-no-object) — J. Valin

Best Sound (for the money) — J. Valin

Best Sound (for the money) — J. Mullins

 

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Company announces lower cost digital–to–analog converter that retains celebrated pure sound

 

Toronto ON — exaSound Audio Design, manufacturer of innovative, exceptional fidelity audio products, announced today the introduction of the model e12 stereo digital–to–analog converter. The e12 is the fifth in a family of converter products created by exaSound for the consumer marketplace.


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Highly acclaimed Yarlung Records has recently transferred twenty of their original tapes to 256fs DSD.  The first four - sponsored by exaSound - are now available on https://yarlungrecords.nativedsd.com.

 

The "exaSound Quartet" includes Sophisticated Lady Jazz Quartet (here is Bill Milkowski’s review in The Absolute Sound), Mahler’s Symphony No. 5 (here is Jim Svejda’s review for Fanfare and KUSC-FM), Suryodaya and the percussion album Smoke & Mirrors: Vanish. All releases are mastered by Steve Hoffman and recorded by Bob Attiyeh.  The DSD files, in 256, 128 and 64 fs are direct transfers from the SonoruS Series of analog tapes.

 

 

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The People... The PFO DSD Panel... DSD field trip to The Super Audio Center... Preview of the upcoming release of Roger Waters' great album, Amused to Death…done in DSD surround.... First taste of what high-definition video/movies would be like if we had DSD for the audio, instead of some flavor of PCM-based Dolby S... Two music videos of Elephant Revival.

Read David W. Robinson's RMAF 2014 show report

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The Audio Beat calls the exaSound Room 505 at Rocky Mountain Audio Fest 2014 the "Best of Show" experience: Rocky Mountain Audio Fest 2014 • Best of Show • exaSound, Magnepan, Bryston

By Dennis Davis, Roy Gregory and Marc Mickelson

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exaSound Audio Design is proud to receive for a second year in a row the Audio Oasis! Award at the Rocky Mountain Audio Fest 2014.

 

 

 

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The Three Musketeers See the RMAF 2014

by Lynn Olson 

 

And a surprise. My favorite room at the show, exaSound, did not have high-efficiency speakers, tube amps, a phonograph, or even a linestage. I'll come right out and say it; this was the best digital sound I've ever heard, and at times a dead ringer for first (not second) generation analog mastertape. The system couldn't have been much simpler:

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